"They are completely different materials, glass and paper, but I consider my work to be hybrid in a way, and I like to think that I shed a new light on the century old craft of Japanese woodcut."
Takuji Hamanaka
I knew that something had to change, but none of the obvious options were appealing.
The postcolonial world is “a world of proximities,” and the job of an exhibition is to make those encounters productive, meaningful, edifying, beautiful. In art, at least at its best, “the tensions that govern all ethical relationships between citizen and subject converge.”